There was considerable excitement surrounding the release of Kabali, fueled by anticipation that this wouldn't be just another Rajinikanth film relying on familiar formulas. Many felt Kollywood was eager to see a new or perhaps an older version of Rajini, one they had been missing for years. Following disappointment with Lingaa, where he seemed to try and please audiences with predictable romance, comedy, and action, Kabali carried significant weight—a critical moment for both the star and his fans. The question was whether he would make a return, as many hoped, and provide ample reason for celebration. Kabaleeshwaran, known as Kabali (Rajinikanth), is portrayed as a champion for Tamil laborers in Malaysia, fighting for their rights and wages. His rapid rise to influence generates jealousy and animosity, leading to conflict. Veera (Kishore) becomes one of those seeking to undermine Kabali’s power. He manipulates an associate into turning against him, setting off a violent gang war that results in Kabali's conviction on false charges and imprisonment. After two-and-a-half decades, Kabali searches for his wife, Kumudhavalli (Radhika Apte), who was pregnant when they were separated. He enlists the help of former allies like Ameer (John Vijay) and a zealous young man named Jeeva (Dinesh). Thamizh Kumaran (Kalaiyarasan), the son of someone who previously betrayed Kabali, also offers assistance but seems conflicted. Meanwhile, Veera expands his influence with Tony (Winston Chao) as a business partner. The film leaves viewers wondering if Kabali will reunite with his wife and reclaim lost time. While audiences hoped for a blend of Ranjith's style and Rajinikanth’s presence, the star ultimately carries the movie, despite strong performances from other actors. His fans are treated to what is likely his most stylish appearance in recent films, enhanced by his commanding screen presence and dynamic action sequences. Radhika Apte is well-suited for her role, and their scenes together feel genuine. Dhansikaa’s performance as Yogi is also enjoyable, given her makeover and skill in fight scenes. The film's climax deviates from typical Rajini movie conventions with an unexpected twist. Given Ranjith’s reputation for layered screenplays and dialogue, comparisons to his previous work are inevitable. Viewers shouldn't anticipate the same level of originality in script or style seen in Madras. Certain flashback sequences can feel drawn out and uneven. Santhosh Narayanan’s music complements the visuals, and the action choreography by Anbarivu is sure to excite fans. The film could have benefited from a more streamlined narrative, but it's worth seeing for Rajinikanth's performance.

Source on TMDB