This is the ninth and final film currently in the Jesse Stone television series, based on Robert B. Parker’s characters. While this may be the last for now, I'm hoping another one will appear soon, as the series isn’t truly over yet. After a two-year gap that left fans believing it was canceled, this film unexpectedly became considered by many to be the best in the series. However, I don’t quite share that opinion. There are only two episodes remaining in the PPD run. Jesse has little serious crime to deal with in Paradise, which is why it's called “Lost in Paradise.” He leaves Luther to handle minor issues there while he travels to Boston to investigate cold cases assigned by his new boss. There, he encounters an open case involving a series of murders where the perpetrator was apprehended and confessed—except for one death that bears a striking resemblance to his signature style. As usual, Jesse delves deeper, gathering information from those connected to the victim. This slower pace is necessary for the story’s development and evokes the familiar feel of a typical Jesse Stone film. Like most detective stories, this series doesn't focus solely on one crime; it explores multiple issues. In this installment, the main investigation takes precedence in the narration, but domestic violence and what seems like child abuse are also addressed—a storyline involving Mackenzie Foy. Jesse eventually pieces together how the final victim died in his Boston case. Anyone familiar with Jesse Stone’s methods will likely anticipate the outcome. The identity of the suspect and their motivation are revealed later on. A romantic aspect of his life takes an unexpected turn as well; since arriving in Paradise, he hasn't pursued anything serious, but now he's trying to move forward with age in mind. Things didn't go according to plan or expectation, but that didn’t stop him from doing his job or disrupting his routine. > "The murders have stopped. That seems to be enough for a lot of people." Reggie is absent this time. I've always worried about him and hoped he would find a family with children; Jesse did what he could to care for him. Now, there’s a character similar to Reggie named Steve, whose story has a surprisingly sentimental quality—a moment that will likely evoke strong emotions in viewers who have ever owned a dog. Certain lines are repeated throughout the series, which some may consider a signature element while others might find annoying. I was bothered by the ex-wife's recurring phone calls because the storyline didn’t fully explore her character. The film is good, but it doesn’t reach the level of excellence that many claim for the best in the series. For me, the first three films were superior, with “Death in Paradise” being my personal favorite. This one comes after those, though it was overwhelmingly well-received upon airing and achieved record viewership. That alone should be reason enough to produce another film. I’m not as devoted a Jesse Stone fan as I initially thought, but I still want the series to continue because, good or bad, it's kind of addictive. The writing isn’t particularly impressive, but Tom Selleck is what keeps me engaged with the series. The show has experienced highs and lows, but his outstanding performances have often saved the day. There have also been numerous changes in the supporting cast, though a few key characters like Luther and Dr. Dix have remained. The theme music still comes to mind whenever I see posters or photos of Selleck; it seems he was born to play that role, and I believe what he said about not being finished with the character. Ultimately, I’m glad this installment provided the boost needed for the franchise. The screenplay deserves some credit too, as it maintains suspense effectively—at times you might anticipate the twist, but the final scenes are still unpredictable. Overall, I've enjoyed the series so far, and I hope they make a sequel. Finally, the ending scene was very emotional; it was a significant move for Jesse, and a fitting way to conclude the film on a high note. 8/10

Source on TMDB