Andy Garcia isn't known for his range, and this crime drama does little to change that impression. He portrays "Berlin," a Los Angeles police officer recently separated and nearing exhaustion. His friend "Freddy" (Lance Henriksen) provides an escape with a position in a smaller, more peaceful rural department, which Berlin eagerly accepts. However, he soon encounters a strange case involving the murders of local blind girls. The police had previously been unable to make headway on the investigation, and it had grown stagnant, but Berlin's attempts to uncover the truth create friction within the force. Uma Thurman plays "Helena," whose roommate was the most recent victim, and she becomes his primary confidante. They quickly form a connection, but when an unforeseen event occurs, Berlin himself comes under scrutiny and is released on bail. Along with "Margie" (Kathy Baker), he must uncover what happened before… The premise isn’t inherently flawed, and the focus on blindness allows director Bruce Robinson to explore sensory details beyond those typically found in serial killer stories—Thurman delivers a fairly captivating performance. Unfortunately, most of the other actors are underwhelming, as is the script itself; there's simply too much dialogue. Trimming it down by roughly thirty minutes might have resulted in a more streamlined and effective narrative, but at over two hours, the pacing is excessively slow, and any attempts to build suspense are diminished by an uninspired musical score and unremarkable cinematography. It’s a forgettable television movie that occupies time without providing much enjoyment—more of a distraction than entertainment.
On September 28, 2026
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