A group of close friends embarks on a risky venture: capturing spider-like creatures in the desert for profit. The motivation? These spiders can fetch as much as 20 euros in exclusive locations, like back rooms of convenience stores in French suburbs. After accounting for seller fees, middlemen, and shipping costs, there's still a small sum to be made—a euro, to be precise! The setting is the desert during daytime, indicated by the bright sun and screen brightness set at roughly 50%. This seems overly illuminated compared to how things appear in real life, like a kitchen or bathroom with harsh lighting. Of course, some people have red lights in their bathrooms—don’t question it! The friends' pursuit of financial gain takes an unexpected turn when one of the spiders strikes, knocking a hunter unconscious and causing him to scream uncontrollably. Fortunately, a friend intervenes, wielding a machete and swiftly ending the situation with a stern expression. The presence of a machete in a shrubless desert raises questions, but it's apparently standard equipment for dealing with friends who become distressed—a totally normal practice where I live. What other way is there to calm someone down? With one friend eliminated, the remaining pair stands to earn two euros apiece! This moment signals that the movie promises to be exceptional and worth sticking around for. The soundtrack further reinforces this impression, featuring a rap track accompanying the credits. It’s clear I'm completely on board with this film. The story then shifts to France, where a protagonist appears—someone reminiscent of Jesus himself. Like Jesus, he talks incessantly, prompting one to wonder if he ever pauses for breath or absorbs oxygen through his skin. He also shares similarities with another companion who was involved in petty theft. I can’t recall the name… Abraham? Thomas? It's not important; this character is undeniably akin to Jesus. Jesus acquires a spidernator from a convenience store and brings it back to his friends in their neighborhood—let’s call it le ghèttô. This marks a high point in the film. The previous Jesus could talk for extended periods, and we can only imagine how impressive that must have sounded. Now, imagine twelve Jesuses all speaking at once! Some might describe this as chaotic or overwhelming, but I consider it a heavenly choir elevating the cinematic experience to an unprecedented level. Sacre bleu!!! However, things couldn't possibly deteriorate from here. But be warned: a spoiler is coming up. Oh no, my wife seems agitated—I need to go hack her with my machete. Time for my angry face. I must leave now.

Source on TMDB