Ally Pankiw's “I Used to Be Funny” combines elements of suspense with emotional resonance, resulting in a thought-provoking dark dramedy centered on the disappearance of a young woman and her connection to a stand-up comedian struggling with PTSD. The film offers an authentic and insightful look at trauma, recovery, and healing, lending it a deeply personal feel as it examines themes of suffering, damaged connections, and the difficult journey toward regaining happiness and selfhood. Details about the plot will be avoided to prevent spoilers, so this assessment will remain intentionally general. Rachel Sennott portrays Sam, an aspiring comedian who works as an au pair for Brooke (Olga Petsa). The narrative unfolds through flashbacks spanning two years, beginning with a news report announcing Brooke’s disappearance. Sam, still grappling with her own trauma, decides to participate in the search for the girl she once cared for. Interweaving past and present timelines reveals the distinct ways these women are confronting their emotional scars. Sennott is exceptionally well-suited to this role, delivering a compelling performance that demonstrates her acting abilities. She portrays her character’s complexities with subtlety, integrating moments of humor as a coping mechanism when the weight of her circumstances becomes overwhelming. Although the storyline itself isn't entirely new, Pankiw proves herself a skilled storyteller, effortlessly transitioning between different time periods. This dual timeline creates an unpredictable and surprising narrative that maintains audience interest even during slower stretches (some trimming would be beneficial). The film’s difficult subject matter can be distressing and emotionally draining, but it remains vital to see stories that address significant aspects of women's lives. Sam and Brooke share a relationship marked by both affection and complications, and Pankiw examines this bond with painful honesty. “I Used to Be Funny” is not an easy film to watch, but it provides a realistic depiction of the slow and often painful process of healing from trauma.

Source on TMDB