It's easy to make assumptions based on appearances, and that holds true for people, especially those with conditions like Tourette Syndrome. This excellent new fact-based comedy-drama from writer-director Kirk Jones highlights exactly that point. For viewers unfamiliar with Tourette’s, it involves unexpected behaviors – sometimes offensive or violent – interrupting what seems like normal activity. Someone might be having a conversation and then suddenly erupt in uncontrolled outbursts of inappropriate language or physical tics like hitting or flailing. Those experiencing these episodes are aware they're happening but powerless to stop them; often kind-hearted individuals struggling with impulses beyond their control. Unfortunately, onlookers frequently misunderstand the condition, reacting with anger and offense, which leads to social isolation, vocational challenges, and strained family relationships for those affected. Treatment is difficult because the cause remains unknown, a frustration experienced by John Davidson (Robert Aramayo), a community center manager who has worked tirelessly to gain understanding since his symptoms began in adolescence (played by Scott Ellis Watson). With support from a compassionate former nurse (Maxine Peake) and an understanding employer (Peter Mullan), John sought treatment, became an advocate for acceptance, and even received recognition from Queen Elizabeth II (Christina Ashford) for his activism. Davidson’s story is brought to life masterfully in this superb film, which is both informative and entertaining thanks to its BAFTA Award-nominated screenplay. The movie skillfully balances heartfelt drama with well-timed comic relief, often through the protagonist's outbursts, effectively depicting the condition while also generating genuine laughter, reminiscent of “Wicked Little Letters” (2023). The performances are a particular strength, earning the film the BAFTA Award for best casting—beating out strong contenders like “One Battle After Another,” “Sinners,” and “Sentimental Value.” Including Peake, BAFTA nominee Mullan, and BAFTA winner Aramayo, who delivers a standout performance (and hopefully will be considered for an Oscar in 2027). As a BAFTA Award nominee for best British Film of 2025, this release deserves all the accolades it has received, both as an educational tool and as an enjoyable film. However, viewers sensitive to coarse language and occasional disturbing acts of violence may want to consider whether or not to see it. But for those without these concerns, add this one to your list; you’re likely to enjoy what's inside.

Source on TMDB