Unconventional family arrangements are commonplace now, appearing in various forms across different countries and with differing compositions. Often, it requires some experimentation to discover what functions best for these diverse groups, depending on the unique characteristics of each person involved. This is exemplified in this portrayal of a multi-ethnic, predominantly LGBTQ+ household in Skopje, North Macedonia, which grapples to establish stability after a tragedy involving a female figure (Alina Serban). Those who remain (Anamaria Marinca, Vladimir Tintor, Samson Selim) must navigate how to move forward, particularly concerning the care of a difficult teenager (Mia Mustafa) and her gentle, young, surprisingly knowledgeable half-sister (Dzada Selim). The adults in charge find it especially demanding, as they lack considerable experience with—and enthusiasm for—the responsibility. They essentially embark on an intensive “housekeeping for beginners” course, straddling the middle-class world of Skopje and the impoverished area of Shutka, a community steeped in Roma culture (sometimes referred to as "Gypsy"). Writer-director Goran Stolevski’s third film offers a fascinating glimpse into places rarely seen on screen, through the perspectives of characters living lives distinct from those typically found in standard families. This comedy-drama begins somewhat unevenly, primarily because it struggles to clearly define the relationships between the main people involved, and the storyline can feel disjointed at times, with solutions to its various plot threads feeling rushed or cut short (especially noticeable in the ending. It would have been helpful for audiences to receive more details about the ethnic backgrounds of the characters, as many viewers are likely unfamiliar with these cultures. However, once the film establishes a clearer pace and finds its footing, it becomes considerably stronger and more engaging, resonating deeply with viewers because the situations that emerge are often relatable, regardless of how a family is structured. “Housekeeping for Beginners” possesses considerable merits and poignant moments; it’s regrettable that there aren't more of them. Greater clarity and consistency in the storytelling would have significantly improved this film’s representation of a world rarely portrayed.

Source on TMDB