It's challenging to view this short drama without forming opinions. From the beginning, when Zoë (played by Natalie Press) brings her four children to a neighbor’s house seemingly for trouble, doubts arise about whether she’s truly equipped to care for them. A glimpse inside her kitchen reveals severe financial hardship, yet she manages to find five pounds and prioritizes meeting up with an old friend, Dave (Danny Dyer), for drinks and pool. Her kids are left unattended outside the pub, then abandoned while she kisses him in his car. It’s at this point that the film's central symbol appears, leading to screaming, snacks, and a drive. The core question becomes: would you feel compassion for her needing to be seen as an individual woman alongside being a mother, or would you report her to social services due to neglect? Zoë clearly has affection for her children, but where is the line at which it's acceptable for her to look after herself, even if that means briefly leaving them? The handheld camera work creates a strong sense of closeness and makes the film genuinely thought-provoking.

Source on TMDB