"Maria," played initially by Lily-Beau Leach and later by Saura Lightfoot-Leon, shares a home with her mother (Hayley Squires) that’s overflowing with possessions—some charming, others unpleasant. They manage to get by, often collecting items from discarded piles. School is difficult for "Maria"; she struggles to find her place. Following an incident at home, she enters foster care and adapts to life with “Michelle” (Samantha Spiro). Years later, she’s still living with "Michelle" and appears settled. The arrival of "Michael" (Joseph Quinn), a former foster child expecting a baby with his girlfriend, disrupts the routine. They quickly form a connection—not in an obvious way, but one built on understanding. This sparks memories for "Maria," causing her to long for her past, especially when a delivery brings an unexpected surprise. As they spend more time together, it’s natural to wonder how their relationship will progress. Be warned: this isn't easy viewing. The story immediately confronts viewers with the less appealing aspects of their lifestyle, and as the narrative unfolds, it becomes a powerful, though somewhat superficial, exploration of two individuals who don't fit in. My main issue is that the plot doesn’t go anywhere significant. It felt like a series of observations about a woman I never truly connected with. Her actions were often disturbing, but it seemed intended to make the audience uncomfortable rather than showing genuine character development for "Maria." In fact, she appeared to decline as the film became increasingly shocking and artificial. It's unusual to see people walk out of an art-house movie, but that happened here—though I personally remained until the end, I’m still unsure what the purpose was or who this is intended for. There are moments when it feels raw and intense, but ultimately, I found it overly introspective and uninteresting.

Source on TMDB