It’s likely many people have encountered those who try to share their beliefs, but few are as charming or persuasive as "Reed" (Hugh Grant) when the energetic sisters "Barnes" (Sophie Thatcher) and "Paxton" (Chloe East) show up at his door. The offer of a meeting with his wife and some blueberry pie draws them in, and they quickly find themselves engaged in an intense discussion that makes them uneasy. Their apprehension increases as the wife doesn’t appear and the scented candle emits a peculiar fragrance. They decide leaving is their best option, but it won't be easy. He has different intentions, and to escape, they must navigate a test of faith if they want to return to their church. The scary elements aren't particularly captivating; it resembles a fairly well-made combination of "Escape Room" and "Cluedo." What elevates the film is Grant’s understated but unsettling performance and the quality of the script. The dialogue between the three characters during the first portion of the movie is genuinely stimulating, posing legitimate questions for those with or without religious affiliations. References to “iterations,” burgers, and games of "Monopoly" also bring up some worthwhile points about outdated concepts that I found enjoyable, as we’re encouraged to examine the purpose of monotheistic religions in contemporary society. The two women have a good rapport, recognizing they are in danger—both mentally and physically—and the latter threat is effectively conveyed through unsettling locations and inventive sound design. While I wasn't satisfied with how it ended; it felt as though Scott Beck had simply exhausted his ideas or lacked the conviction he showed earlier, Grant delivers one of his more significant roles in a while and manages to keep things on track. It’s not your usual psychological thriller and is worth seeing, in my opinion.

Source on TMDB