It’s true that this one is preferable to “Revelations,” I will concede that point. The film borrows an idea from "Hellraiser: Inferno," once again featuring a police officer and his colleagues pursuing a killer whose crimes are linked to the Ten Commandments (it's hard not to think of a certain other movie when watching), while the Cenobites seem to be involved in…something else entirely (frankly, I’m unsure what their purpose is; it starts with a discussion about how old-fashioned the Lament Configuration has become and how they appear out of touch with more extreme pleasures and pains that are readily available—it doesn't really develop into anything). Or at least, that’s what it seems like, if we weren't already quite far along in an investigation that had been ongoing for some time. What’s strange is that, as the tenth installment in the series, you can actually see the possibility of a good and interesting movie here. However, they miss the mark significantly, failing to capitalize on this potential in any substantial way. The biggest issue, and I'm surprised to be saying this, is that the film needed more time. There should have been more subtle clues regarding the ultimate resolution of the mystery, enough so that viewers could later say, "I wonder how I overlooked that?" instead of “Did I miss something?” This also leads to a lack of developed characters, although I must admit they did try. I appreciate the hints at a larger story, even if those elements contradict what we know about Hellraiser lore. For the first time, there's an angelic counterpart to the Cenobites, but the problem is that the Cenobites were never really established as demons in the first place. It also has a twist ending that’s bizarre, even by Hellraiser standards, and it might have been effective if Pinhead had played a more significant role here. Instead, the ending relies on knowledge from previous films; let's be honest, someone unfamiliar with those earlier movies wouldn't understand this one. Again, it doesn’t feel as carelessly made as the last Hellraiser film (I can’t believe I also have to praise the fact that this movie actually looks like it was shot using a professional camera and not an iPhone, unlike “Revelations”), but it’s still so poorly executed that it stumbles while attempting to tell a story that's bigger than they were prepared for, ultimately feeling unoriginal and quite disappointing.

Source on TMDB