This new Hellboy film feels like a rough, jarring alternative to Guillermo del Toro’s version—a far cry from an elaborate artistic statement. Adapting “The Wild Hunt” and “The Storm and the Fury” from the comics doesn't improve things. Without Del Toro’s distinctive approach, the character designs and monsters feel rigid and unimaginative. David Harbour takes on the role of Hellboy, and while his costume initially looks more realistic than Ron Perlman’s, it soon becomes apparent that he seems to be struggling against it. Perlman seemed to embody the character and become one with his suit, but Harbour appears to be wrestling with his. Watching him is an awkward experience, like witnessing a very uncomfortable performance—I actually felt bad for him; he's a capable actor who deserves better material, but what he was given here was just awful. He certainly tries to make it work, but even the best efforts can’t redeem fundamentally flawed content. The other characters feel more like exaggerated versions of themselves. Their connections with each other are so simple and underdeveloped that we don't really connect with them. And that’s a significant issue. The tension isn’t established well enough to engage us emotionally. It’s the standard good versus evil superhero story, but there’s no real investment in whether the heroes survive or if the villains succeed. A film like “Hellboy” should focus on making viewers care about and relate to the characters; instead, we get something cheap and are dismissed. Unless you're a die-hard fan of the comics or the cast and feel compelled to see it no matter what, I’d suggest avoiding this one. Even for those fans, seeing this film might damage their appreciation for the source material.

On September 20, 2026
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