Unless I'm pushed, that is. Ex-convict Tom Yately finds employment driving for Hawletts haulage company. The drivers are paid based on the number of trips they complete, which encourages them to drive faster and more recklessly than most workers would. He doesn’t make many friends at Hawletts, but he discovers questionable dealings between the brutal foreman, Red, and Hawletts manager, Cartley. This significantly raises the stakes as Tom and Red have conflicts both on and off the road. Hell Drivers is a genuine British hard-boiled film, brimming with machismo. It’s surprising how exciting a movie about lorry drivers transporting gravel can be. Directed by Cy Endfield (Zulu), it has something of a quintessential working class feel to it, which is welcome. The film possesses a gritty texture and, although fundamentally a crime story, offers substantial character development. Tom, portrayed by the criminally underrated Stanley Baker, is attempting to move forward with his life, but he’s weighed down by his past; a family element adds depth to the narrative. He's simply trying to earn an honest living, only to find that crime won’t leave him alone. There's also a significant theme of bullying, embodied by the imposing and excellent Patrick McGoohan. And naturally, there are the women caught up in this masculine world, observing daily recklessness and navigating matters of the heart alongside their everyday routines. Against a backdrop of cafés, boarding houses, village dances, disused quarries, and narrow roads, Endfield and his team perfectly capture the working class atmosphere. Certainly, it’s the powerful trucks that generate excitement, but it's the hearts of ordinary working people (both men and women) that propel Hell Drivers forward. Nevertheless, the trucks and the drivers behind their wheels are what most people remember about the film. Endfield films the vehicles from both front and rear perspectives, which really places you on the road with them. Feeling connected to the characters and their environment, for better or worse, greatly enhances the experience thanks to the authentic feel that Endfield created. A collection of Great British talent appears alongside McGoohan, who, despite being born in America, became an honorary Brit through his work on the TV show The Prisoner. Joining Baker in this ensemble cast are Sean Connery, Sid James, William Hartnel, Alfie Bass, Wilfrid Lawson, David McCallum and Gordon Jackson. Herbert Lom contributes a continental flavor as Gino Rossi, who is crucial to the plot and driven by emotion. Peggy Cummins, Jill Ireland, and Marjorie Rhodes play the female roles, with Cummins particularly shining in this rough-and-tumble world. Upon its initial release, the film received mixed reactions, but over time Hell Drivers has moved beyond its cult status. It now stands as a true British classic, thankfully receiving a DVD release in 2007 that did it justice. 9/10

Source on TMDB