That rabbit, standing a full six feet three, is just as endearing as you remember. Elwood P. Dowd comes across as a genuinely pleasant and innocent man; he does enjoy a drink now and then, but that doesn't diminish how likeable he is. So, the question becomes, why is his sister so determined to have him institutionalized? The reason is simple: Elwood has an invisible companion—a six-foot-three rabbit! Faithfully brought to life by Mary Chase from her successful stage play, *Harvey* continues to be a delightful family comedy and fantasy. It’s the sort of movie that leaves you feeling good afterward; its central idea revolves around imaginative whimsy as Elwood's conversations with the unseen Harvey frustrate everyone around him. The film possesses a certain mischievousness because it seems that Elwood is actually the only sensible person present—everyone else is in turmoil, yet he remains calm and content. James Stewart (an Academy Award nominee) takes on the role of Elwood, delivering a truly remarkable and unforgettable performance as he effortlessly embodies the character’s quirkiness. Josephine Hull (Academy Award winner for best supporting actress) shines as Elwood's sister Veta, displaying impeccable comic timing and an anxious energy. Peggy Dow also provides strong support (I wish she had appeared in more films), along with Charles Drake and the reliably entertaining Cecil Kellaway. Henry Koster’s direction I find a bit inconsistent; at times it feels rushed when the film should be lingering on its magical moments, as though he was unsure whether to make a screwball comedy or simply a fantastical story. It makes me wonder what Frank Capra might have achieved with this adaptation. Nevertheless, the movie remains cherished by many, and I'm definitely one of them. It’s good that the pooka is around. 8/10
On September 25, 2026
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