Joe Wright directs Hanna, with the screenplay by David Farr and Seth Lochhead. The film features Saoirse Ronan, Eric Banna, Tom Hollander, Olivia Williams, Jason Flemyng, and Cate Blanchett, accompanied by a score from The Chemical Brothers and cinematography by Alwin H. Kuchler. Hanna Heller (Ronan) is a sixteen-year-old assassin with extensive training, attempting to evade capture by the CIA... Despite some British critics calling it original and thrilling, Joe Wright's Hanna falls short of that description. It’s essentially a contrived movie intended to appeal to younger audiences, but ultimately feels dull and corny. Stripping away the central idea—a teenage assassin eliminating anyone who stands in her path—the film initially shows promise as we are introduced to Hanna and her father, Erik (Banna), living in the wilderness. We see training sequences, a convincing connection between the actors, and the stark winter scenery creates an atmosphere of anticipation. However, once the narrative moves on to Hanna’s flight from pursuers, the exposition becomes tiresome, and the story slows considerably. Blanchett's portrayal of a CIA operative—a role she seems ill-suited for—is coupled with more of that unnecessary backstory, as it attempts to build tension toward an eventual confrontation between the antagonist and the young assassin. The Chemical Brothers provide their signature electronic music, which may appeal to some viewers. Really?! A sequence where Hanna travels with a hippie family features Jason Flemyng in another questionable casting choice, and there’s a clumsy effort to portray her as becoming more relatable as she experiences life outside of isolation. The film borrows heavily from other stories, is tedious in its presentation, and seems designed to convince teenagers they are witnessing a defining work for their generation. The final scene set in an amusement park is well-executed visually, the location photography has a certain stylish quality, and Banna and Ronan put in considerable effort to prevent it from being completely awful. Yet, for most of its nearly two-hour length, it's a tedious experience that overestimates its own importance. Joe Wright would be better off focusing on making Keira Knightley look good. 4/10

Source on TMDB