It’s safe to say that Gone isn't offensively bad; it possesses the expected components of a mystery. Amanda Seyfried is watchable as the former kidnapping victim whose story no one seems willing to accept, and the cinematography from Michael Grady is well-executed. There are some genuinely unsettling scenes sprinkled throughout. However, the film suffers primarily due to its predictable screenplay. Allison Burnett’s writing feels like an assignment completed for a film studies class—rote and lacking any real spark. It's entirely familiar territory for anyone acquainted with this genre. Numerous characters appear briefly, seemingly intended as distractions, while our resourceful protagonist manages to outwit the entire Portland police department, consistently avoiding being caught. With the exception of Seyfried’s character, everyone else feels like an afterthought; actors like Wes Bentley and Jennifer Carpenter seem to be waiting for a more substantial role. In fact, Carpenter's presence is only to set up a later plot twist, after which her character disappears entirely, a choice that seems strange in retrospect. Then the supposed climax arrives, introducing the serial killer/kidnapper who receives as little attention as everyone else before him. There’s nothing fresh or inventive here, unfortunately. It's adequate enough to pass the time, but by the end of the underwhelming conclusion, you might find yourself wondering why studios continue to approve projects like this when they offer so little beyond a line on an actor’s resume. 5/10

Source on TMDB