This is an American-Japanese science fiction action thriller film from 2014, rated PG-13 and running for 123 minutes. The dialogue is primarily in English with some Japanese that’s subtitled. According to IMDB, the audience rating is 6.6/10 based on over 239,000 votes. Rotten Tomatoes shows a 74% approval rating (with an average score of 6.6/10), reflecting opinions from nearly 171,000 viewers. I watched it recorded off Cinemax. Gareth Edwards directed the film, and the cast includes Bryan Cranston, Ken Watanabe, Juliette Binoche, Sally Hawkins, Aaron Taylor-Johnson, Carson Bolde, David Strathairn, and Elizabeth Olsen. It seems to be aimed at Godzilla fans, action movie enthusiasts, and an international audience. The estimated production budget was 160 million USD, with a worldwide gross revenue of approximately 528 million USD as of January 1, 2015—roughly $200.7 million in the United States (38%) and $328 million internationally (62%). The film opens with Joe Brody, his wife Sandra, and their son Ford in Japan. They’re working on a project investigating unusual energy phenomena linked to a massive buried object. The object turns out to be alive, breaks free of its containment, causing widespread devastation. A veil of secrecy is then imposed. Years later, Ford, now an adult in the US military with a wife and young son living in San Francisco, receives a call from his father and travels to Japan to help him get released from jail. While assisting Joe, the object—identified as a “muto”—reawakens, escapes, and causes even greater destruction. A second, larger muto emerges in Nevada. The US Navy becomes actively involved in tracking these creatures, which subsequently awakens Godzilla from his long dormancy in the Pacific. Ford and Dr. Serizawa become entangled in the military’s efforts to contain the mutos, while Elle and Sam find themselves at risk as all three colossal beings converge on San Francisco. As is typical of Godzilla films, human actions are portrayed as largely ineffective against giant monsters; most attempts to intervene only seem to exacerbate the destruction inflicted upon cities and military forces. While occasionally a person might be rescued or freed from danger, this occurs amidst immense loss of life and billions of dollars in property damage. This contrast highlights humanity's helplessness when confronted with uncontrollable forces. However, there’s a slight departure from the usual formula: at one point, a human character takes an action that improves the chances of survival for humankind—something you’ll have to see to believe. Even though Godzilla inflicts considerable destruction and casualties, it pales in comparison to what the mutos cause. It could be argued that Godzilla is indifferent to humanity's fate; he eliminates the mutos so he can return to his resting place beneath the Pacific. In essence, Godzilla saves humanity from the mutos during a brief eight-minute appearance. I’d give it three stars out of five. The cinematography earns an 8/10—while some special effects felt cheap, most were impressive. The sound is rated 7/10; there were no significant issues with hearing the dialogue or finding the music overly distracting. Acting receives a 6/10. Bryan Cranston, Ken Watanabe, Juliette Binoche, David Strathairn, and Sally Hawkins all delivered acceptable performances in their limited roles. Aaron Taylor-Johnson’s portrayal started off dull but evolved into a convincingly heroic one, which I ended up appreciating. The screenplay gets a 6/10; the director stayed true to the franchise while incorporating updated special effects and other adjustments. However, the plot has numerous inconsistencies.

Source on TMDB