Gloria Bell functions primarily as an exploration of one woman’s personality, which might not appeal to audiences seeking a more energetic romantic film. The narrative echoes storylines I've developed in some of my own books—what I consider "slice of life" stories. The movie picks up at a particular moment and then tracks her experiences, both good and bad, until the story abruptly departs from her everyday existence. It’s an understated approach to storytelling, possibly too restrained for viewers watching with others or when they aren't prepared for something more deliberate. It reminds me of a line from The Big Chill where William Hurt’s character describes art, suggesting you must allow it to wash over you. Careful observation reveals delicate details, like the moment Gloria ceases singing in her car and then has to find that happiness again. I will concede that occasionally the film lingers on seemingly ordinary actions, such as brushing her teeth, or omits significant events, like what transpired for her at the Las Vegas hotel when she was alone. If you are considering seeing this movie, give it your attention and be willing to wait for things to unfold. There's a worthwhile story here, even without action sequences, loud noises, or dramatic outbursts.

Source on TMDB