To appreciate "Ghosthouse," viewers should avoid being overly critical—or expecting logical consistency or well-written dialogue and acting. It might sound as though I’m discouraging people from watching, but those who continue will discover that I have a peculiar fondness for this movie, despite knowing how ridiculous it can be. "Ghosthouse" is certainly a strange, low-budget horror film that somehow escaped my attention until recently, which is surprising considering I'm an avid 32-year-old horror fan. Odd, right? But not so much when you consider the film’s flaws, and yet its ability to entertain in its own way. In "Ghosthouse," the story unfolds roughly as follows: an amateur radio enthusiast named Paul picks up a distress signal—two people apparently screaming before being attacked. Paul manages to locate the source of the signal and decides to investigate with his girlfriend, Martha (it’s strange they wouldn't involve the police, but these are poorly developed characters in a low-budget horror film and must act accordingly). Upon arrival, they encounter an elderly man who urges them to leave immediately. Of course, eccentric older individuals are rarely taken seriously, especially when they appear to be struggling with alcohol and mental health issues. Martha quickly expresses her desire to leave because the house gives her an unsettling feeling (which is understandable, given that it’s the same location where Lucio Fulci's "The House by the Cemetery" was filmed). Paul and Martha then break into the house! They find a group of four young squatters who travel in a camper van and on a motorbike (seriously, do any of these people have jobs?). One of them, Mark, owns a radio, and his voice sounds identical to that of the person Paul heard screaming. Paul, having conveniently recorded those screams, plays the recording for Mark, who admits the voice resembles his own but denies being involved in any such incident. "What on earth is going on here?" Paul wonders. Soon, he and Martha will uncover a mystery surrounding the house, one that began 20 years prior, involving a young girl named Henrietta, her father (a grave robber), and a creepy clown doll that plays an eerie lullaby. The plot attempts to offer moments of clarity but also throws in plenty of nonsense to deliver gruesome imagery and shocks. As the story progresses, some things simply don’t make sense, while viewers naively assume those loose ends will be resolved—but they won't. When the credits roll, it becomes clear that many elements were illogical from the start, leaving audiences to develop their own theories to fill in gaps in the script. This isn't a sign of excellent writing, but the movie is enjoyable nonetheless. Examples with major spoilers ahead: Why is Valkos, the crazy old man, so determined to kill these kids and Mr. Baker’s former business partner? Is he connected to the original owner of the clown doll and seeking revenge? Why does the Grim Reaper appear around the house as if paying rent? Who invited the Grim Reaper to this confusing mess? What are all those dead bodies doing in the basement? Should we assume the house was built over a burial ground, like in "Poltergeist"? It wouldn't be surprising, since Umberto Lenzi seemed to try and capitalize on the success of “Poltergeist” by using a creepy clown doll. Regardless, these corpses are never explained or even mentioned by the Lieutenant who reluctantly steps in to deal with this situation. What can I say? "Ghosthouse" provides plenty of entertainment but has numerous unresolved plot points, which is frustrating for those who prefer movies that offer a coherent narrative. The characters in "Ghosthouse" are one-dimensional and not particularly memorable, making it difficult to become truly invested in their fates. Nevertheless, these silly youngsters don’t cause any real harm, so it's hard not to sympathize with them at least somewhat. The dialogue is stilted and amateurish—a virtual requirement for a horror film featuring a ghostly young girl holding an evil-looking clown doll on the cover. This film delivers a good amount of gore, creative murders, cheesy music, and some genuinely funny moments, while avoiding sex or nudity, which is unusual for this type of movie. Just enjoy it without trying to make too much sense of it, or you’ll be disappointed.

Source on TMDB