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Get Out (2017)

2017 • 1h 44m • Horror, Thriller • R
On September 22, 2026
#2157
215th by Pulse movie online
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All reviews

Filipe Manuel Neto on Get Out

9/10 · Dec 19, 2022

It's an impressive film that really warrants our attention. I watched this movie yesterday; it’s been on my mind for some time, and I finally made the chance to see it. I already suspected it was a successful production, both at the box office and with critics who specialize in film. That’s quite remarkable for a horror movie. Personally, I consider it a good film, well above average. It's a tense experience that benefits from its setting... and yes, there are genuinely frightening moments. The film received nominations for Best Film, Best Actor, and Best Original Screenplay, ultimately winning an Oscar for the latter. The script primarily explores subtle forms of racism, perpetuated by white elites in certain North American communities who treat Black people as curiosities within their environment, without resorting to overt harassment. Later on, the story shifts toward something more complex and unsettling: the protagonist begins to notice that the family members behave strangely, and the Black individuals present seem almost robotic. It’s worth seeing what unfolds next... This film deliberately avoids the clichés of American horror—the jump scares created by special effects. Instead, it aims for a deeper effect, relying heavily on atmosphere and gradually building tension as we become invested in the main character's experience. That's where the film truly shines, setting it apart in a positive way. Jordan Peele directed with considerable skill, demonstrating an understanding of horror and bringing something new to the genre. This is even more noteworthy considering he was essentially a newcomer when he took on this project. Regarding the acting, Daniel Kaluuya delivers a particularly strong performance—tense and deeply committed. He was truly excellent, and the film's success is partly attributable to his capable portrayal. Allison Williams also gives a good performance. I especially appreciated Catherine Keener’s work; she has a relatively small role, appearing briefly, but makes a significant impact. Despite its modest budget, it seems they managed to maximize every resource and prove that a film doesn't necessarily need to be expensive to be well-made. The cinematography is solid, meeting current standards, and effectively serves the story. The sets and costumes aren’t particularly memorable, although there are some nice details—like certain characters' clothing and, notably, the room where one character finds themselves confined. The visual and sound effects are good, used thoughtfully and carefully. The music provides a competent and understated accompaniment.

Source on TMDB

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