This is easily one of the best films I’ve encountered, and I've watched a lot of well-regarded movies, both artistic and mainstream. I have a feeling Timothée Chalamet will collaborate with the director Philippe Lesage at some point. I think he would value Lesage’s insightful, compassionate understanding of people – they share a French background too. The film feels remarkably genuine and is sensitive in every sense; Lesage has clearly studied and reflected on human nature to a degree that inspires deep empathy, which he conveys with subtlety, delicacy, and even harshness. I really enjoyed it. It’s more than just about initial romantic experiences—it's an exploration of the human condition overall. I noticed some negative reviews on IMDB; I can only assume those people haven't had enough life experience to appreciate the psychological and emotional themes explored within. Perhaps they should revisit it in a few years, and really focus while watching! It’s a small-scale, slow-paced movie that deals with emotions rather than being an action-packed spectacle! It’s a beautiful gem to be examined carefully. I wasn't bored for even a moment—the only scene I thought could possibly have been removed was the second club dancing sequence. (Although, maybe when I watch it again, I’ll understand its purpose.) Some people had issues with the final section. My responses are twofold: * Yes, it’s unconventional and feels like a short film on its own. It's not something you see often. That’s innovation! * It does make sense within the context of the movie if you think about it carefully. If it had been placed at the beginning, that would have made it even clearer: it’s a contrast showing how innocent love can be (particularly when one is younger) compared to how complicated it can become (especially later in life). Its position at the end feels like a kind of reassurance, reminding us of how pure affection and fascination can be. Or, if you tend toward pessimism, you might see sadness awaiting Felix and Beatrice. It’s almost as though the cycle of existence repeats itself: ‘...and so it all begins again.’ The film did an excellent job of recreating the warm, intimate atmosphere of similar gatherings—I've been to those kinds of events myself. (Unless, of course, you are a cynic whose mind and heart aren’t open to enjoying such things – then even those gatherings would seem cold and full of hidden agendas...yes, the insatiable, analytical mind searching for something to criticize.) Did any other movie fans pick up on what seemed like an homage to *Zéro de conduite*?

Source on TMDB