In 1939, as Sigmund Freud (Anthony Hopkins) sought refuge from Nazi Germany in London, he reportedly engaged in a lengthy discussion with an Oxford scholar thought to be C.S. Lewis (Matthew Goode). Writer-director Matt Brown imagines this encounter, presenting viewers with a series of debates between the two influential figures covering topics like atheism and faith, science versus spirituality, fear, their personal histories—including Freud’s complicated relationship with his daughter Anna (Liv Lisa Fries)—and family dynamics. These conversations are captivating and illuminating, revealing previously unknown facets of each man's character. It becomes clear that this meeting served a purpose for both; Freud was grappling with advanced oral cancer and trying to come to terms with his mortality. The film explores complex themes rarely addressed so thoroughly or perceptively on screen. Their interactions are interspersed with flashbacks that shed light on their backgrounds, explaining the origins of their contrasting perspectives and their persistent questioning of life’s fundamental mysteries. Hopkins and Goode deliver outstanding performances, both at their best. While the narrative occasionally falters, these minor disruptions are easily forgiven considering the depth and complexity of their dialogues. Those seeking purely diverting entertainment may be let down by this film. However, viewers desiring something enriching and substantial will find "Freud’s Last Session" a stimulating and absorbing experience that prompts reflection on profound questions about existence and our purpose in life.

Source on TMDB