Fresh (2022) presents a curious combination of horror elements and dark comedy, offering a departure from standard thriller conventions. The narrative begins in an appealing way, depicting a contemporary dating scenario that rapidly descends into something unforeseen. Although the concept isn’t entirely novel, the unfolding events maintain a level of discomfort sufficient to keep viewers invested. It does experience a decline in its impact as it progresses, relying somewhat heavily on recognizable horror clichés, but it still succeeds in being diverting. The script is adequate, though some character actions seem jarring, diminishing the believability of certain scenes. The direction is competent, striking a favorable equilibrium between suspense and visual flair. There's an intriguing application of close-up photography that enhances the sense of unease without feeling artificial. The cinematography deserves recognition, employing lighting and composition to establish a peculiar atmosphere aligned with the film’s overall feel. The sound design and musical score are effective, contributing to the unsettling mood without being intrusive; it isn’t a movie where the music dominates, but rather works in harmony with what's on screen. The performances are strong, with Daisy Edgar-Jones effortlessly carrying the story, portraying her character as genuine and accessible even when the writing falters. Sebastian Stan injects an enjoyable yet disturbing presence into his part, ensuring that the interaction between the two central characters is successful. Certain members of the supporting cast seem somewhat lacking in development, but the primary actors maintain viewer interest. In essence, Fresh provides a diverting experience, offering enough tension and style to distinguish itself. While the storyline might not be completely original, particular aspects are exceptionally well-executed—without being excessive.

Source on TMDB