The opening moments depict an incredibly slow and cumbersome illustration of industrialization—perhaps the most inefficient I’ve encountered. These initial visuals establish the tone for what unfolds as we are introduced to fortune cookie manufacturer "Donya" (Anaita Wali Zada delivers a noteworthy performance). Having served as an interpreter for the U.S. military in Afghanistan, she has relocated to California under a special visa program while awaiting permanent residency. Insomnia leads her to secure an appointment with the somewhat peculiar psychiatrist "Dr. Anthony" (Gregg Turkington), and his unusual techniques coax out some hints (intended for the audience) from this reserved woman regarding the events that shaped her past and continue to affect her present. Her romantic life is practically absent, but a cryptic text message prompts a drive that could potentially change things—her perceptive best friend "Joanna" (Hilda Schmelling) believes it might! It's difficult to articulate what this film is about. Very little actually transpires, and the tempo is exceedingly slow—yet it functions effectively as a character-driven exploration of a woman navigating significant life alterations and confronting loneliness, regret, and frustration—along with the possibilities—of her new existence in a city where her situation isn't unique. It’s not an oppressive or self-absorbed experience, though. There are instances of dark humor, primarily stemming from Turkington’s use of “White Fang” in a surprisingly inventive way. The film presents a snapshot of her life; we receive fragments of her history and glimpse potential future prospects at the end. It's compelling, strangely captivating, and deserving of viewing—though television is perfectly adequate for it.

Source on TMDB