The film’s most memorable element, apart from Irene Cara's catchy theme song, lies in showcasing the persistence of a young woman named "Alex" (Jennifer Beals). We see her initially thriving as a welder in what is predominantly a male environment, while also striving to transition from dancing at a club to training at a ballet school and demonstrating her potential to excel. Fortunately, her affluent employer, “Nick” (Michael Nouri), who’s also her boyfriend, is supportive of her ambitions – occasionally perhaps overly so, which introduces some moments of friction as she faces an audition that could significantly alter her path. The film presents a generally optimistic tone and theme, helping to compensate for what is ultimately a rather poorly acted production with awkward lines and a storyline that unfolds in a fairly expected manner—leading up to the inevitable conclusion. Laura Branigan and Giorgio Moroder contributed to the rest of the soundtrack, which remains surprisingly memorable (though not necessarily exceptional) when viewed after nearly forty years. Whether you appreciate it or not, this was an innovative film that, while lacking considerable impact today, undeniably made a significant contribution – in cinematic terms – at the time. It’s best experienced with powerful sound and is still worthwhile for those who recall the era.

Source on TMDB