Damien Chazelle has established himself as an innovative director, and even after films like *Whiplash* and *La La Land*, he continues to surprise audiences with his work. He brings together the elements that have made him successful while delivering a new kind of film. This is his first attempt at a biopic, a genre where many filmmakers have struggled to accurately portray historical events. The audience will likely know how the movie ends going in, which presents a challenge for biopics – finding a way to feel original and engaging while staying true to reality. *First Man* manages this feat, sticking closely to the actual story with such intensity and realism that it’s easy to forget you're watching a film. Space movies have always been captivating in cinema, from Georges Méliès' *A Trip to the Moon* to *2001: A Space Odyssey*, *Star Wars*, and *Alien*. While fictional stories explore what might be possible, depictions of real events showcase what actually was possible, creating a powerful story rooted in patriotism. From a technical standpoint, *First Man* is remarkable. Linus Sandgren, who previously collaborated with Chazelle on *La La Land*, returns as cinematographer and delivers another impressive visual experience that’s best seen in theaters. The cinematography is striking, with vibrant yellows and blues guiding the viewer's eye. Certain scenes are enhanced by a grainy, shaky camera style reminiscent of home videos. Justin Hurwitz, who attended college with Chazelle, also returns to compose the score, and it’s as impressive as expected. Hurwitz understands how to write music that complements the film's themes and enhances the emotional impact. His scores are difficult to compare because they are so distinct, reflecting Chazelle’s tendency to avoid repeating formulas. The acting is excellent; Ryan Gosling gives a deeply moving performance as Neil Armstrong. He maintains an air of reserve while risking everything for the mission. Gosling's portrayal is layered and nuanced, drawing the viewer into his character's world. Claire Foy also delivers a noteworthy performance as Janet Armstrong, Neil’s wife. She avoids typical portrayals of women from that era, presenting a strong, independent woman who isn't afraid to voice her opinions about issues concerning her husband. The controversy surrounding the flag scene is unwarranted. The emotional impact of the moon landing doesn't require an image of Armstrong planting a flag. Seeing it in IMAX is highly recommended; the expanded aspect ratio used during that scene is truly mesmerizing. *First Man* ranks among the best films of the year, with flawless execution in every detail. It surpasses even iconic space dramas like *Apollo 13*, setting a new standard for the genre. The film delivers on its promise and more—a harrowing journey from beginning to end, a true masterwork that showcases Chazelle’s commitment to perfection.

Source on TMDB