The film created a genuinely unsettling atmosphere, possibly amplified by watching it during such cold weather. What stands out most is the remarkable performance of eleven-year-old Max Brebant as Nicolas, alongside the deliberate obscurity surrounding the setting’s time and location. The story centers on a young boy living in a village comprised solely of women and adolescent boys; adult men are absent. A surprising discovery made while swimming sparks the narrative, and it's Nicolas's sharing of this revelation with his mother (Julie-Marie Parmentier) and her response that initially engages viewers, prompting questions about the nature of this seemingly tranquil, yet controlled environment. Driven to uncover the truth behind his finding, Nicolas’s investigations lead him to encounter events difficult for a child – and myself – to process. The narrative grows stranger when he's taken to a hospital where exceptionally odd medical treatments are performed on him and his friend Victor (Mathieu Goldfield) – procedures whose purpose is truly baffling. It’s this pervasive uncertainty that makes the film engaging. There isn't a clear, defined structure, although there is some sense of order throughout; however, one never feels entirely sure of what's happening. A brief moment of clarity arrives near the conclusion when Nicolas and his kind nurse friend Stella (Roxane Duran) seem to provide a potential resolution or explanation – though even then, much remains open to individual interpretation regarding the film’s meaning. It’s an odd and distinctive movie that merits the time investment, but viewers shouldn't anticipate many straightforward answers by the end.

Source on TMDB