Films tackling difficult topics like assisted suicide are not uncommon, and those who support or oppose such practices have consistently presented compelling reasons for their positions. Several noteworthy films have explored these themes previously, including “Blackbird,” “You Don’t Know Jack,” “Whose Life Is It, Anyway?” and “The Barbarian Invasions.” Now, François Ozon contributes to this conversation with his newest film. This drama, inspired by true events, centers on an older French man recovering from a stroke who requests assistance from his daughter in ending his life. The movie thoughtfully explores the various facets of such a sensitive situation—the legal, medical, emotional and ethical implications—and does so with considerable honesty, genuineness and genuine emotion. It represents some of the best work I’ve seen from a filmmaker whose other projects often fail to fully satisfy me. That being said, it's not perfect; there are unresolved plot points, occasionally peculiar camera angles, and narrative components that seem unnecessary. Despite these flaws, “Everything Went Fine” benefits from strong performances by Sophie Marceau, André Dussellier and Géraldine Pailhas, a detailed screenplay, consistent rhythm, strategically placed moments of humor, and emotional resonance without resorting to sentimentality. If you're willing to overlook its smaller imperfections, the film provides a poignant and thought-provoking experience, prompting reflection on knowing when it’s right to remain and when it’s time to leave.

Source on TMDB