I felt drained and scared after roughly ten minutes; I wondered if the chaotic and visually jarring style would persist. Fortunately, things do settle down, and the film skillfully connects the early experiences and ambitions of this young man with the openly racist political climate in the Southern United States during the early 1940s. From that point forward, I’m viewing it as a provocative, diverting, but ultimately imagined story about him. Historians consistently debate what actually occurred—or possibly could have—and I don't possess any definitive information to contribute. Based on that, this is a swiftly moving and inventively arranged account of the key events in Elvis’s life. Austin Butler bears an astonishing likeness. There’s always a delicate balance between imitation and genuine acting, but here I believe Butler leans toward the latter. He invests significant effort into his performance. Physically and emotionally, he commits completely, assuring us of the talents and inherent charm that propelled Presley to become the biggest-selling recording artist ever. We know from historical accounts that he was discovered, and that throughout his life he had a complicated relationship with his manager—Colonel Tom Parker (played by Tom Hanks). Hanks is adequate, nothing more. His makeup proved somewhat distracting, particularly as his character aged, and his accent isn't convincing; however, he appears surprisingly infrequently even though he’s essentially guiding us through the story. The film largely concentrates on Butler’s excellent portrayal as he illustrates the peaks and valleys of a man who ultimately desired affection and admiration with the same intensity that others crave drugs or alcohol (and he did indulge in those too). I would have liked to see more detail regarding his relationship with his mother and his wife, but the depictions of the exploitative people constantly taking advantage of him create a striking picture of an intelligent individual who brought joy to countless fans through his dancing, songs, and personality—but perhaps didn’t retain much for himself. It's undeniably Baz Luhrmann’s signature style, so it is naturally showy and packed with activity; the musical sequences are fluid and full of vitality. Once it finds its rhythm, it becomes a dynamic and engaging production that passes quickly and which I genuinely found enjoyable.

Source on TMDB