As the deadline for voting approaches, aid worker “Peter,” portrayed by Ulrich Thomsen, abruptly departs from a lively discussion at a pub and attempts to find a taxi to reach the polling place. The initial driver makes prejudiced remarks about nearly everyone, prompting Peter to abandon the ride. With his time dwindling, he secures a second cab with similarly disappointing results. A third driver offers a different viewpoint, though no less critical. Ultimately, as rain begins to fall, Peter decides to run on foot, leaving the question of whether he’ll arrive in time or if it would have been better to simply remain sheltered. The narrative feels somewhat artificial overall, yet it brings up the complex topic of what freedom of speech truly entails: is it the right to express oneself freely, the right to be offensive, or perhaps a combination of both? Where do these lines become unclear or overlap? Do these taxi drivers—or even Peter himself—recognize the subtle effect their judgmental words have on those who hear them, or potentially on someone unintentionally caught in the crosshairs of frustration. It’s worth seeing.
On September 24, 2026
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