Brian De Palma directs and scripts Dressed to Kill, featuring Michael Caine, Angie Dickinson, Nancy Allen, Keith Gordon, and Dennis Franz. Pino Donaggio provides the music, and Ralf D. Bode handles the cinematography. De Palma maintains his focus on Hitchcock-inspired thrillers with this erotic and sensational entertainment. The story quickly introduces a blonde woman wielding a razor who is loose in the city. A high-class prostitute, a psychiatrist, and the son of a victim attempt to unravel the mystery before they become victims themselves. De Palma throws everything he has at the audience, seeming to enjoy pushing boundaries as he does so. He utilizes all his techniques for maximum effect, combining genre conventions into a hyper-stylized neo-noir that playfully manipulates what viewers expect. The plot is undeniably wild, but De Palma skillfully balances those excesses with impressive camera work, and then incorporates Donaggio's musical score to ensure the viewer’s senses are stimulated. As expected from this director, Dressed to Kill contains both sexual content and violence, ranging from a provocative opening that caused controversy to an over-the-top ending where De Palma pays homage to himself; it is clearly embracing its lowbrow nature. Yet, there's still room for dramatic suspense and a dangerously sensual atmosphere, exemplified by a lengthy sequence in which Allen’s prostitute is relentlessly pursued through the subway system, and another scene at an art gallery presented without dialogue, putting us directly into Dickinson’s perspective. The central murder scene itself is a whirlwind of slashes and cartoonish blood, deliberately overdone, followed by suspense that builds tension for the rest of the film. De Palma and his cast appear to be enjoying themselves, which is easy to imagine given the pulpy material they're working with. Is Dressed to Kill exploitative or sexist? Many people believe so; there was significant backlash when the movie first came out, with De Palma facing criticism from various groups. It’s best to decide for yourself, but personally I find that within all the trashiness there’s a commentary on the risks of indulging in fantasies beyond one's reach, or perhaps even about infidelity—maybe it suggests America is careless regarding how women are portrayed in film? Or maybe it’s just De Palma being playful, sitting back and laughing as others become upset… 8/10

Source on TMDB