The “Dragonheart” series, sustained by producer Rafaella de Laurentiis, has another installment—and I’m hoping it will be the final one. Despite the original film’s quality and appeal, none of the subsequent releases have come close to matching its success. Consequently, most skipped theatrical release and went straight to DVD or similar formats. This latest entry doesn't even try very hard. While the previous movie was passable enough for a viewing, this one has so many flaws in the writing that I can’t really recommend it: events unfold alongside those of the first film, but feel like they are occurring somewhere else entirely, and recount the quest for revenge of a young man whose family died in what's described as a wagon accident. It's absurd to suggest something like that could have happened, given the supposed time period! Predictably, the young man discovers the existence of a dragon and seeks him out hoping he can resolve his issues. Simple enough. The dragon—a female this time around—naturally refuses, prompting the boy to throw a fit. Meanwhile, there’s an ongoing war, villagers are being starved by bandits burning crops, and a king seems suspiciously involved in everything. Machiavelli would have likely been impressed by such a character… I've honestly seen better villains. Despite Helena Bonham-Carter doing a reasonable job voicing the Dragon Lady, the rest of the cast doesn’t warrant significant praise. Arturo Muselli was adequate as the king and appropriately gloomy, but Joseph Milson is not a capable or talented protagonist for the role he has; he just comes across as an insecure, angry boy looking for a quick fix to his problems. Once again, the film relies heavily on decent CGI and creating a believable dragon. That aspect was achieved, but in terms of special effects, that’s all we're getting. The cinematography is pleasant enough, though at times it feels overly artificial, as if the whole movie were generated digitally. What really suffers are the costumes and the excessively fanciful depiction of what appears to be a very specific and distant period in the Middle Ages—a problem common throughout this entire franchise.

Source on TMDB