I thought some of the jokes felt a bit childish, but the script does offer a sharp look at religious beliefs across many faiths, exposing them to some unflattering examination and subjecting monotheism to pointed ridicule. Of course, it's meant to be funny, and like Monty Python’s “Life of Brian” (1979), it deliberately aims to satirize something Hollywood has generally avoided. The story centers on God’s former enforcer, "Loki" (Matt Damon), who grew tired of killing Egyptian babies and inflicting plagues on humanity, so he quit. This made his boss angry and resulted in both him and his friend “Bartleby” (Ben Affleck) being banished to Earth with all the bothersome humans. Then they come across a newspaper article hinting at a possible way home – but it would involve a significant sacrifice and must be stopped. Any attempt to prevent this will be organized by "Metatron" (Alan Rickman), but implemented by “Bethany” (Linda Fiorentino), who is completely unaware of her legendary heritage. How can she, just an ordinary woman, possibly stop angels? Fortunately, she has assistance from an apostle (Chris Rock), a muse (Salma Hayek), and two prophets – the sex-obsessed "Jay" (Jason Mewes) and his quiet best friend, “Bob” (Kevin Smith). We also quickly realize that someone mischievous planted the idea in the first place, so there are hidden forces at work—but who is behind it? What follows is a series of events that amusingly challenge established religious principles while questioning everything considered sacred, even suggesting that the Almighty might be more of an Almightress. It’s somewhat inconsistent, but has some strong moments, particularly with Rickman, Hayek, and surprisingly, Chris Rock performing well. Mewes acts as if he stepped straight out of a “Bill and Ted” movie, and I thought Fiorentino held her own portraying the often-confused woman coming to terms with the extent of "immortality" now entering her otherwise normal life. It’s irreverent, crude, and sometimes quite blunt, but the target is the structure of organized religion rather than faith itself, and there were times when I genuinely laughed out loud. Twenty-five years later, it remains relevant and important enough that Kevin Smith can still look back on it with a degree of pride. It might be a bit too long—especially the extended ending—but it’s quite witty, and Damon and Affleck have great chemistry together. I enjoyed this more than I recalled from my first viewing. Maybe I've just become even more cynical?

Source on TMDB