A sweltering summer day in a largely Black neighborhood of Brooklyn is the backdrop for this story about one wrong choice sparking a series of events that lead to chaos. Rosie Perez stands out among the female characters. “Do the Right Thing” marked Spike Lee’s major film, made when he was 31. It's an energetic and visually striking portrayal of a predominantly Black community in New York City, blending drama, humor, entertainment, honesty, and tragedy. The neighborhood seems like a decent place to live, provided you don’t mind the bustle of city life. The characters are generally well-developed; they possess both positive and negative qualities. It's usually peaceful, with different races and ethnicities coexisting reasonably well, punctuated by minor and amusing disagreements. Still, it feels like a powder keg waiting for a spark. The ending left me feeling uneasy. I’m surprised at Lee’s willingness to be so blunt, but he illustrates why many people avoid living or doing business in Black neighborhoods—a sentiment shared even among some Black individuals. While discussions arise about who is justified and who isn't, the situation seems straightforward: Buggin Out's reaction to a seemingly insignificant issue at Sal’s pizzeria was unwarranted. If it bothers him that much, he shouldn’t patronize the establishment and could always open his own restaurant with his preferred style. Conversely, one could argue that Sal should have handled the situation more thoughtfully, diffusing Buggin Out’s anger instead of escalating it. Meanwhile, Radio Raheem made a poor decision by letting Buggin Out influence him negatively. Why couldn't everyone just do what’s right? It’s incredibly frustrating. Despite being a well-crafted classic and deserving of its reputation, the film didn’t entirely appeal to me because of that final act, which is too brutally honest. Wouldn't it be better to create art that fosters hope, unity, and healing within inner city communities? This film highlights the problem, prompts questions and debates, but provides no solutions other than… leaving Black neighborhoods. The movie has a runtime of 2 hours and was filmed in Bedford-Stuyvesant, Brooklyn. GRADE: B-
On September 23, 2026
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