Angelina Jolie’s involvement as an executive producer initially caught my attention regarding this excellent Amharic movie. I appreciate her contribution to expanding global cinema; there are countless stories that go untold because they originate in remote areas, far removed from major cities and countries. While news outlets might overlook these events due to a lack of interest in distant regions, films like this help ensure their visibility. I believe this is my first experience with an Ethiopian film. The entire cast and storyline unfold within this landlocked East African nation. The narrative frequently shifts between a small village and the capital city. It’s based on a real historical event concerning a traditional practice involving marriage when permission is denied by the girl and her family. Set in 1996, the story centers on Hirut, a 14-year-old who managed to escape from her abductor, though not without injury. She now faces charges related to an act of self-defense, and the remainder of the film depicts her legal battle. As is often the case, things seem fine in our society, and there’s no apparent need for change—until something terrible occurs. This movie addresses how laws evolve; some are rooted in traditional customs that require serious review. They continue to adapt until a proper resolution is found. Consider current attitudes toward issues like homosexuality and marijuana legalization, which have become considerably more lenient. This story serves as another example of addressing flaws within the legal system—a response often prompted by tragedy, intended to prevent recurrence. > "I can't even protect my little sister. > They will get her one day." The film isn’t solely a courtroom drama; it also explores human connections and cultural insights. The acting was superb, particularly from the two main characters, Meaza and Hirut. While largely focused on its central theme, occasional glimpses of Ethiopia's landscapes left me impressed by the country’s beauty. I thought the cinematography was exceptional. This film was officially submitted for consideration at the most recent Oscars (2015), and in my opinion, it deserved a nomination alongside films like 'Timbuktu'. I initially expected a narrative involving Westerners intervening to help the girl or perhaps adopting her. Instead, it’s a completely self-contained story, portraying a single nation's society and its flawed judicial system, which may be surprising. I was glad I chose to watch it after about thirty minutes, and I finished feeling very satisfied. The ending was deeply moving, with Hirut’s final words reflecting her experiences and the potential for similar situations affecting other girls. I wholeheartedly recommend this film. It needs viewers to become aware of what truly happens in various parts of the world, especially within male-dominated societies, and how children and women are striving to find their independence. Thanks to the efforts of courageous women, progress is being made toward a better future for coming generations. My respect goes out to the director/writer, producers, and those two women who continue their work supporting struggling women, as highlighted in the film’s closing statement. I believe you won't be disappointed if you give it a chance. 8½/10

Source on TMDB