Dhoom 3 falls into the popular "Dhoom" action series, and features Aamir Khan and Abhishek Bachchan in a story about a vigilante facing off against a dedicated police officer. The film begins in the 1990s with a circus called The Great Indian Circus, showcasing dancers, stunts, and a young magician, Sahir, who is the son of the owner, Iqbal Khan. The circus was struggling financially and unable to repay its loan, which led the bank to demand it close down and resulted in Iqbal Khan’s suicide. The story then jumps forward to the present day, where an adult Sahir (Aamir Khan) seeks revenge for his father's death by robbing the very bank that shut down their circus. ACP Jai Dixit (Abhishek Bachchan) is brought in to investigate. After a series of chases and another robbery, Jai uncovers the truth behind Sahir’s actions. A significant plot twist reveals that Sahir has an autistic twin brother named Samar, which explains how he manages to evade the police during his escapes. Following some undercover work and a lengthy fifteen-minute chase scene, the film concludes with Sahir and Samar seemingly taking their own lives by jumping from a bridge, mirroring their father’s fate. The movie delivers on expectations set by previous installments in the series, providing viewers with impressive action sequences, unexpected plot developments, and numerous dance numbers that Bollywood audiences enjoy. The film shares similarities with the classic Deewaar, exploring themes of resentment and anger—the “angry young man” archetype made famous by Amitabh Bachchan. Both stories involve young men seeking their own form of justice against what they perceive as unfair treatment toward their families. Both films also highlight the importance of family values, a common element in many successful Bollywood movies. The core plot revolves around the revenge of twin brothers against the bank for causing their father's death. In Deewaar, Vijay’s father is wronged by a corrupt businessman and abandons his family, forcing them to survive on their own; Vijay then spends his adolescence fighting for what he believes is right. Both films demonstrate how the fathers' experiences profoundly impacted their children. The endings are both tragic, as the “angry young men” die while pursuing their version of justice outside legal boundaries. Bollywood rivalries and traditions often span generations, and these two movies exemplify that trend. “[Vijay]… unlike outright villains, prioritizes family connections… he is an ideal older brother (as a child he worked so hard to ensure his brother received an education" (Thomas). In both films, the antagonist isn't simply evil but someone fighting for their own sense of justice after experiencing hardship themselves. “… he [Vijay] also possesses qualities that make him a worthy hero” (Thomas). This draws a direct comparison to Sahir, where the triumph of law enforcement (Abhishek Bachchan) over the criminal (Aamir Khan) is complicated by the fact that his crimes are somewhat understandable and perhaps even justifiable. Rumors suggest Dhoom 4 might be in development, potentially featuring Shah Rukh Khan as the villain—something we’ll have to wait and see about.

Source on TMDB