The acclaimed French director Jacques Audiard returns with this new and striking film. This time, he tells the story of a Sri Lankan Tamil Eelam freedom fighter who fled to France after the war and his subsequent struggles adjusting to life in a new country. The entire movie is presented in Tamil, though there are also some lines in French. I had been looking forward to seeing it, postponing other opportunities for various reasons, but I’m glad I finally did because the film offers powerful insights into the immigrant experience—and not a pleasant one at that. The global conversation currently revolves around curbing immigration, particularly illegal crossings, and sometimes the circumstances behind these journeys are deeply saddening, as depicted in films like 'The Good Lie.' People with stories similar to this character often aren't welcomed and must remain discreet while enduring hardships. Sometimes, events mirror experiences from their homeland. This story follows Dheepan, a civil war fighter from Lanka, who arrives in France with a fabricated family—a wife and daughter named Yalini and Ilayaal respectively. He attempts to leave his past behind and build a new life. Lacking wealth, he must adapt to whatever opportunities arise to survive and protect his family. Knowing they are living precariously, they find themselves isolated, but for how long? Because danger often targets the most vulnerable. What follows is an ending with a surprise and the credits roll. I’ve seen other films exploring similar themes, but this one felt distinct, largely due to its focus on a culture from a less familiar region. While I understand Tamil, some of the Sri Lankan Tamil dialogue was difficult for me to fully grasp. Films about Sri Lankan refugees like 'Nandha' and 'Kannathil Muthamittal' are different as well. Perhaps this is the first Western film to delve into the topic of Lankan Eelam, especially after the civil war ended and so far from home. Though it largely avoids taking sides—with the exception of the opening scene—the rest of the movie takes place in France. > "Sometimes, they say things and laugh. I understand all the words, but they don't sound funny." The storyline is simple but well-developed, with a progressively stronger narrative, particularly as it approaches its conclusion. The filmmakers clearly conducted thorough research, especially regarding cultural nuances to highlight. While the film largely concentrates on one perspective, the dangers faced by people like this character are also woven into the story—being caught between two worlds and cultures, and needing to defend themselves and do what is necessary. The approach feels very realistic, but it raises the question of whether these kinds of events actually occur in real life, particularly in France. If you enjoy Jacques Audiard’s films, this one shouldn't be missed. The lead actors are relatively new to acting and deliver impressive performances. Technically, the film is well-made, though I heard that the filmmakers felt rushed to complete it before the Cannes Film Festival. I think they managed everything effectively, and viewers will likely appreciate their efforts as well. The film screened at numerous festivals and received awards, including the Palme d'Or at Cannes. It’s a must-see for fans of the director, but even if you aren’t one, it’s still worth watching because you won't find something quite like it or see anything quite the same again. Even if you have, the cast will be unfamiliar. That’s what makes the biggest difference here. The film conveys a message about how to live when given a second chance at life. There is violence, and the emotions are intense, though the presentation feels raw rather than sensationalized. It's certainly not a masterpiece, but I would recommend it for adult audiences. _8/10_

Source on TMDB