John Parker wrote and directed Dementia, featuring Adrienne Barrett, Bruno VeSota, Ben Roseman, and Angelo Rossitto. The film’s score comes from George Antheil and Ernest Gold, with cinematography by William C. Thompson. Dementia presents a dialogue-free narrative following a young woman's nighttime exploration of a disreputable urban landscape. Is she perhaps a psychotic killer? Will her travels uncover everything? Created in 1953 but not released until 1955, Dementia offers a uniquely strange and memorable experience. It’s worth noting that two versions exist; one was reworked with added narration and renamed "Daughter of Horror," while Dementia represents the original version. The film is an hour-long fever dream full of expressionistic elements and noir visuals—it's clearly low budget, yet it looks fantastic. From the moment “The Gamine” (Barrett) wakes up in a hotel room, visibly startled, something feels amiss. We’re taken along to witness an instance of police brutality shown in shadow, drawn into a chaotic cemetery sequence, and introduced to odd men with hats and nylons covering their faces. A lecherous man is given unsettling close-ups while he eats his chicken dinner; sexual implications are abundant (a cigar and piano performance being prime examples!), and the backstory reveal of our female antagonist is itself disturbing. Dementia caused considerable problems for censors, leading to cuts and multiple submissions—fortunately, it can now be viewed in its complete form. The film’s exploration of topics like adultery, police corruption, prostitution, drugs, and implied incest makes it a powerful hour of cinema, made even more unsettling by the absence of spoken dialogue. Antheil's musical score is appropriately dreamlike, interrupted only by a confined nightclub scene where "Shorty Rogers and His Giants" perform an energetic jazz piece before another otherworldly sequence—the most important one, in fact. It’s a film that people will either love or dislike; it's difficult to recommend with certainty. However, once you’ve seen it, it sticks with you, not just as the movie playing at the drive-in theater when "The Blob" appeared in 1958! It is an odd and disturbing hybrid of a film that has earned its reputation as a cult classic. 8/10

Source on TMDB