After numerous delays, Kenneth Branagh’s adaptation of Agatha Christie's "Death on the Nile" is finally playing in theaters; the previous film version appeared nearly half a century ago, in 1978. This time, Branagh portrays Hercule Poirot alongside Tom Bateman as his friend Bouc, and the story takes them to Egypt following a chance meeting. They attend the wedding of Linette Ridgeway (Gal Gadot) and Simon Doyle, but things aren’t quite what they seem. Many were surprised by the marriage because just six weeks earlier, Doyle had been engaged to Jacqueline de Bellefort (Emma Mackey). Poirot witnessed their relationship in a London club, where Ridgeway was introduced to Simon through his former fiancée, Jacqueline. The wedding reception is interrupted when Jacqueline arrives; Simon then tells Poirot that she has been tracking them across the globe and asks the detective to persuade her to leave so they can live peacefully. Jacqueline expresses her deep love for Simon and displays a weapon, prompting Poirot to advise the newlyweds to cancel their trip home. Despite this, Simon and Linette proceed with their plans, deciding to take a cruise on the Nile to escape Jacqueline’s attention. Initially, it seems as though their plan will work, but Jacqueline appears as a passenger at one of the stops along the way. A near-fatal incident is then followed by a murder; Poirot must now investigate the other passengers to determine who committed the crime. There are numerous potential reasons for someone wanting to commit such an act, and as more people die, Poirot needs his considerable intellect to find the culprit. The film moves at a deliberate pace, but the digitally enhanced scenery and the talented cast create a compelling atmosphere that effectively establishes the story’s foundation. Although I was able to figure out the mystery roughly halfway through, some of the finer points were skillfully obscured, and there were several unexpected turns that led me to consider other suspects. Some viewers might find the film's pace slow, but this is typical of a well-crafted mystery; it allows for character development and exploration of motives, which builds suspense. Ultimately, "Death on the Nile" provides an enjoyable mystery reminiscent of classic films in the genre, and it will be fascinating to see if audiences respond to it as they did with “Murder on the Orient Express,” suggesting that we may see more Poirot adventures from Branagh soon. 4 stars out of 5.
On October 3, 2026
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