This movie is a bit odd, and while it has merit, it’s likely not going to appeal to all viewers. The film creates a feeling of unease. It presents a stark Western, direct and unrefined, which can be challenging at times. The story begins with William Blake, an accountant from the East Coast, who travels by train to a remote location in the West for a job with a ruthless industrialist. He discovers that the position has already been filled; adrift and without purpose, he spends the night with a prostitute and then kills a man attempting to harm her out of jealousy. This man happens to be the factory owner’s son, prompting the owner to send pursuers after Blake, who is oblivious to this danger and flees, eventually encountering an unusual Native American named Nobody. The film possesses considerable artistic value. The black-and-white cinematography is superb, employing light, shadow, camera angles, and framing with intelligence. The sets and costumes are well done; while not strictly accurate from a historical perspective, the filmmakers prioritized aesthetics over strict adherence to time and place, resulting in a raw, gritty depiction of the West. Jim Jarmusch directs effectively, maximizing the potential of what he has to work with. There are several striking visual elements, and the soundtrack—driven by electric guitar—is atmospheric and works well within the film’s context, though it's not something one would necessarily want to own. The movie features a strong cast, with Johnny Depp delivering a notably natural performance. He was quite young at the time, but already demonstrated an inclination for portraying eccentric characters. However, due to the unusual nature of the film itself, this isn’t considered among his finest roles. Iggy Pop, Robert Mitchum, and Crispin Glover also appear, each giving sincere performances as rough-edged characters with limited dialogue but significant presence. The major drawback—and it's a substantial one—is that the film feels overly convoluted and almost surreal. There are moments where it’s implied that Depp’s character is already deceased, and there’s a connection between him and his British namesake, the artist and poet who would have been long dead during the events of the movie! It's very peculiar, and this kind of peculiarity makes the film unsuitable for some audiences.

Source on TMDB