Biographical films seem to be everywhere these days. Some are genuinely good, others are passable, and still others fall into predictable patterns, adhering so rigidly to established formulas that they end up feeling superficial or boring. But when you're dealing with someone as unusual as Salvador Dalí—an artist whose work was almost impossible to describe or categorize—those standard approaches simply don’t cut it. He was a blatant self-promoter with an enormous ego and a personality as peculiar as his artwork, often referring to himself in the third person and making statements that required expert interpretation. A conventional biography wouldn't have worked for someone like him. Luckily, writer-director Quentin Dupieux recognized this and created something outrageously funny and wonderfully strange about this one-of-a-kind individual. The film feels like an experiment in storytelling, injecting its narrative with a surreal quality similar to Dalí’s paintings through recurring jokes, altered sequences, and characters who unexpectedly connect with each other. It loosely follows the attempts of an aspiring journalist (Anaïs Demoustier) to get an interview with her subject, but she's constantly faced with unrealistic obstacles—usually orchestrated by Dalí himself. As the movie progresses, it becomes impossible to make sense of what’s happening or where it’s going (so don’t bother trying). Instead, just relax and enjoy the absurdity, which is exactly the mindset you need when looking at one of his paintings. This approach, perfectly suited for telling Dalí's story, works exceptionally well, especially considering the director's own unconventional views on art, as demonstrated in previous films like “Deerskin” (2019) and “Smoking Causes Coughing” (2022). "Daaaaaalí!" is so quirky and deviates from expectations that it even features five different actors—Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand—playing the same role. To his credit, the director keeps the film’s length brief at 1 hour and 18 minutes to avoid overstaying its welcome or letting the joke wear thin. Some viewers might find it frustrating, but if you're willing to set aside logic and convention (which is clearly what’s intended), you’ll probably discover that this hilarious little film will amuse you in countless unexpected ways. After all, when the subject matter resists easy classification, the last thing a filmmaker should do is confine him within rigid boundaries. And thankfully, this movie successfully avoids that trap.

Source on TMDB