“Davis” (Chris Hemsworth) belongs to a rare type of thief—one who avoids violence and prefers not to harm those he targets. This is generally a good approach since his usual victims are couriers transporting diamonds, watches, or jewelry. However, his most recent operation didn’t unfold as expected, and feeling unsettled, he informs his elderly contact “Money” (Nick Nolte) that he wants to quit. Despite this desire, Davis isn't the sort to abandon a job unfinished, so he brings in his considerably less ethical friend "Ormon" (Barry Keoghan), who is about as discreet as an explosion. After hearing of the robbery, Davis confronts Money, and that’s when things start to unravel for his carefully constructed operation, as the motorcycle-riding Ormon is ordered to pursue their now-disillusioned thief. Simultaneously, insurance underwriter “Sharon” (Halle Berry) is frustrated by her unrewarded efforts working under a restrictive corporate structure, making her an ideal candidate for Davis’s plans as he considers his retirement. The central question becomes whether he can sway her loyalty and perhaps provide her with the chance to take advantage of her most unpleasant client "Monroe" (Tate Donovan). “Lou” (Mark Ruffalo) is the police officer tasked with investigating the robberies, and it's him who determines that Route 101 holds a key to understanding the pattern and that the perpetrator isn’t just some common criminal. The stage is set, but what follows is a rather lackluster drama that spends too much time on character development and not enough on the clever planning and execution of the thefts—until roughly the final ten minutes, when it finally gains a bit of energy. Hemsworth looks appropriate for the role, though he doesn’t fully commit to it; Berry had potential but her part is unfortunately underdeveloped; Keoghan simply repeats his familiar portrayal of a borderline-unhinged character, this time with blonde hair; and Ruffalo could have been a more significant challenge to Hemsworth if their battle of wits had received greater attention. The film is visually appealing, with Hemsworth appearing as though he’s stepped directly out of a luxury goods advertisement, but the rest results in a generally unengaging car-chase crime story that I doubt I'll recall. It’s unfortunate.

Source on TMDB