It seems like a film made primarily to showcase women in provocative clothing, moving suggestively, rather than as a serious artistic endeavor. What’s striking is how much time the movie devotes to displaying attractive women in revealing outfits, behaving in a way that feels mocking and indulgent, reminiscent of a college graduation celebration. It's clear this was created with a heterosexual audience specifically in mind. Considering it came out in 2000, I wonder if such a film could even be released today without facing accusations of sexism and perpetuating stereotypical portrayals of women. There are some positives to mention. The soundtrack is exceptional, compiling great songs into what’s easily one of the decade's finest non-original soundtracks; “The Right Kind of Wrong” and “Can’t Fight the Moonlight” stand out as particularly memorable tracks. The music becomes almost more important than the film itself: it functions like a series of music videos, centering on a character who dreams of becoming a songwriter but finds success performing at a nightclub after discovering her vocal talent. The settings feel believable, especially given that a bar similar to the one depicted actually exists in New York (and apparently others have opened as part of the same establishment). However, the parties are so exaggerated that it’s hard to accept them as happening in a legitimate business. The editing is passable but occasionally sloppy, and the cinematography relies too heavily on red tones—these are less successful aspects of the production. The cast is undeniably beautiful, composed of young actresses who compensate for their lack of experience with appealing physiques and decent dancing abilities: Piper Perabo, Maria Bello, Tyra Banks, Izabella Miko, Bridget Moynahan, and Adam Garcia. Unfortunately, this emphasis on physical appearance doesn’t translate to strong acting; the cast wasn't selected based on talent, so no one delivers a particularly compelling performance. They are largely uninspired in their roles, which significantly weakens the film. It’s important to acknowledge John Goodman as an exception; he is the only actor who truly shines, demonstrating how to portray a character with both grace and humor. Despite these few bright spots, they don't overcome the fundamental flaws of a production that could have been genuinely good if it had a decent story. The film ultimately fails because of its script and narrative—it’s like an aspiring model tripping over her heels during a runway show. I repeatedly wondered where the screenplay was, as the entire journey to pursue a career in entertainment feels incredibly predictable and has been done countless times before. It lacks any real depth. Then there's the romance, which is saccharine, illogical, and poorly written with dialogue that’s just plain silly.

Source on TMDB