What's appealing is the chance to eliminate people with explosive force. Edward Dmytryk directed Cornered, which John Paxton adapted from a story by John Wexley. The movie stars Dick Powell, Walter Slezak, and Micheline Cheirel; Roy Webb composed the music, and Harry J. Wild was in charge of cinematography. The film takes place near the end of World War II and features Powell as Laurence Gerard, a Canadian pilot returning home. He’s trying to figure out who ordered the deaths of French Resistance members, including his new wife. His father-in-law tells him it was Marcel Jarnac, a Vichy collaborator, but Gerard doesn't believe rumors that Jarnac is dead and begins an investigation leading to Argentina, where he discovers fascism hasn’t disappeared. From the beginning, Powell’s intense and gloomy Laurence Gerard establishes the tone for Dmytryk’s straightforward film. The mood is one of revenge and darkness, creating a humorless detective story with strong anti-fascist themes. As Gerard travels from France to Argentina, through Switzerland, he meets many suspicious individuals and passes through locations that are typical of film noir. Expect shadowy streets, alleys, and dimly lit rooms. Add some murder and violent scenes, and it’s clear Cornered isn't a movie for those seeking something cheerful. It also has a complicated plot that requires close attention to understand what’s happening. However, paying attention is worthwhile because the script is sharp, allowing the characters to come across well, especially Gerard, who delivers several pointed remarks appropriate to his demeanor. Dmytryk ("Farewell My Lovely/Crossfire") and Wild ("Pitfall/The Big Steal") film it primarily at night, reinforcing the gloomy atmosphere, and Webb's music has a sense of impending doom. Powell (also "Farewell My Lovely/Pitfall") and Slezak ("Lifeboat/Born To Kill") are standouts in a cast largely made up of lesser-known actors or those playing familiar roles. Powell convincingly portrays brooding grief, while Slezak embodies sweaty distrust. There are also strong performances from supporting players, particularly Nina Vale as Señora Camargo, a seductive woman with limited film credits. Luther Adler ("D.O.A./Kiss Tomorrow Goodbye"), early in his career, makes a memorable appearance late in the movie. It's good and confidently recommended to those who like some grit and darkness in their films. 8/10

Source on TMDB