Jack Palance feels perfectly suited in his role as the Hollywood producer ("Prokosch") who has enlisted the renowned director Fritz Lang to try and revive the flagging sword-and-sandal genre with an adaptation of Homer's "Odyssey." After viewing the initial footage, and aside from a brief shot of a nude nymph, he finds it lacking. The solution they come up with is to bring in an experienced playwright turned screenwriter, "Paul" (Michel Piccoli), to inject some life into the project. His fee is $10,000, which will cover the cost of renovating his apartment shared with his wife, "Camille" (Brigitte Bardot). However, as he becomes more invested in the film, his once-happy marriage begins to deteriorate. Camille seems distant from him and even shows interest in their new boss. The situation escalates when they travel to Capri for filming before a tragic event occurs in Paris. It’s certainly a visually appealing movie. Bardot's frequent nudity, the stunning locations, and a fascinating glimpse behind the scenes at the now-defunct CineCittà studios all effectively illustrate the former grandeur of the film industry, much like the Colosseum represents the faded glory of Rome. The narrative—that’s another story entirely. I thought it felt forced and disjointed. Their arguments seem to arise without explanation and don't really make sense; they resemble childish squabbles. Is "Paul" manipulating his wife in an attempt to secure a larger payment? Or does he simply fail to understand her personality? She doesn’t seem to grasp what motivates him either, and I didn’t detect much chemistry between them—even during more intimate moments. The score by Georges Delerue also proves somewhat problematic; Godard uses it intermittently, like turning on a faucet. It feels like a musical break between increasingly frustrating scenes, repeating melodies before abruptly stopping for the dialogue – almost like a composed advertisement! Fritz Lang manages to dominate every scene he's in, largely because his character seems the most genuine of the bunch, and Palance is—as is typical—remarkably stiff. There are occasional humorous instances, but unfortunately not enough to make it consistently enjoyable. I’m glad I watched it, but I probably won’t feel compelled to watch it again.

Source on TMDB