Okay, let’s get started. Here's my take. It feels like time for a trip back to childhood, in a strange way. Jim Mickle directed Cold in July and also worked with Nick Damici on adapting the screenplay from Joe R. Lansdale’s novel. The film features performances by Sam Shepard, Michael C. Hall, and Don Johnson, with music composed by Jeff Grace and cinematography by Ryan Samul. The story unfolds in Texas during 1989, when Richard Dane (played by Hall) fatally shoots a burglar who broke into his house, sending his life spiraling downward. Cold in July is a well-made neo-noir film that keeps things interesting because it doesn’t settle for predictability. It continually introduces unexpected plot twists, moving the characters and the audience along to new locations. The movie benefits from three strong lead performances, with each actor embodying a distinct character type that interacts exceptionally well. There's also a certain cool vibe characteristic of the late 1980s. Whether it’s Grace’s music, which uses synthesizers in an unsettling way, or Samul’s photography, which employs bright colors to create a sense of boldness, everything feels appropriate for the time period and matches the film's overall tone. The writing has depth, the atmosphere is dark and suspenseful, and the technical aspects are top-notch; I can confidently suggest this one to those who enjoy neo-noir films. It earns an 8/10.
On September 26, 2026
#21194
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