China Moon comes from director John Bailey and screenwriter Roy Carlson, featuring Ed Harris, Madeleine Stowe, Benicio del Toro, Charles Dance, and Patricia Healy in the cast. The score is by George Fenton, with cinematography by Willy Kurant. It feels important to acknowledge that China Moon stands as a worthwhile film, particularly for those who enjoy classic film noir and its modern counterparts; however, it’s hampered only by not quite reaching the heights of earlier entries in both movements. The plot explores well-worn territory, where Harris' determined police officer finds himself captivated by Stowe’s alluring character, quickly becoming entangled when he declares his willingness to do anything for her. Following noir conventions, there is a complicated path ahead, and nothing is straightforward; concealed motives, suspicious actions, and emotional distress all contribute to the unfolding events. The elements of police work are genuinely engaging, with the added complexity of Harris investigating his own involvement, while technical aspects of crime solving—like ballistics—are treated with appropriate attention. The film excels as an atmospheric piece, set in humid Florida locations that allow Bailey (who has a background in cinematography) to blend poetic visuals with misty scenes, rainy landscapes, and color-coordinated criminal activity without sacrificing the core qualities of noir. The performances are strong, and those involved managed to incorporate enough unique elements so it doesn’t feel like an unnecessary imitation. Concluding with a powerful double ending, China Moon is one that fans of film noir should definitely check out. 7/10

Source on TMDB