"Art" (Mike Faist) and "Patrick" (Josh C’Connor) have been close friends since their school days, but a complication arises in their friendship: the rising star "Tashi" (Zendaya), who captures the attention of both young men. During a casual moment sharing drinks in a hotel room, she insists she isn't one to stir up trouble; however, as things unfold, her own ambitions for success are sadly derailed and seem to be passed on to "Art," now her husband, while his estrangement from "Patrick" deepens. With six Grand Slam titles under his belt, "Art" is beginning to feel the strain of competition, but his wife isn't prepared for him to step away. The question becomes whether he can secure a coveted US Open victory, or even win a smaller Challenger event where he’s forced to face his former friend. This particular match acts as a focal point for the narrative, which jumps around in time, presenting a story that I found to be full of harmful ambition. Zendaya portrays her complex and occasionally harsh character with remarkable skill, as director Luca Guadagnino gives all three actors room to develop personalities ranging from captivating to reprehensible – leaving it up to the audience to decide. These are imperfect people driven by hormones, longing, and the intense pressure of their lives on tour, offering a fascinating glimpse into what motivates them. Following his role in "Mothering Sunday" (2021), C’Connor is comfortable with nudity; the other actors hold back somewhat as the sexual tension grows increasingly evident and damaging, leading to an ending that leaves things open-ended. I appreciated that ambiguity – and I had my own hopes for how it would play out. If you don't value yourself, how can anyone else?

On September 20, 2026
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