I’ve mentioned déjà vu quite a few times in my reviews because I often encounter films that feel familiar. This Brazilian film felt like that, although I saw another one first—'The Second Mother', Brazil’s submission for the 2016 Oscars. The narration is strikingly similar, especially regarding how wealthy Brazilian families operate, but it also touches on many other subjects. It has a mixed quality, almost as if it incorporates elements of everything. Despite this, the film was captivating. Drama films are typically predictable yet occasionally surprising; certain events mirror experiences from our own lives or those around us. Sometimes, being set in a foreign country and unfamiliar with that culture can spark interest while you’re watching. It appears to be a coming-of-age story, and it maintains that theme, but there's also a wide range of other elements woven throughout. If you’ve already seen the film I mentioned earlier, you might feel like you've already witnessed about ten percent of this one. A brief introduction seems all that’s needed to grasp the characters and their situations; you won’t need time to adjust to the story’s atmosphere. It centers on another affluent couple with two teenage children and their domestic workers. These individuals are at the core of the narrative, exploring their relationships and other facets of their lives, such as interactions with friends, business dealings, and social circles. The film was well-constructed overall, although I felt the daughter remained somewhat enigmatic. > "No boss ever wins a labour lawsuit in this country." The story largely unfolds from the son’s perspective. Shielded from reality by his father, he chooses to experience society firsthand, which leads him to meet a girl. There's a romantic subplot, but it isn't extensive. His teenage curiosity about sexuality is also explored, though handled tastefully. The film poster gives a different impression, similar to the movie 'Marina'. The pacing was slow at times, but considering its length—over one hundred minutes—it remained engaging throughout. All of the actors performed exceptionally well, and the director did a competent job. What I found most surprising was the exploration of racism. I had always believed Brazil to be tolerant when it comes to ethnicity and social classes. Although nothing serious occurred, discussions arose that were expressed from all sides. It felt distinct from what you often see in American films, largely because it stemmed from an argument about another topic—quotas for disadvantaged groups. I generally enjoy watching realistic portrayals like this one. It’s a way of witnessing a different culture and lifestyle through cinema. If you're a film enthusiast like me, you’ll understand what I mean. The characters and plot were well-developed; the writing is likely to appeal to most viewers, although it might not resonate with everyone. Otherwise, it would have received recognition comparable to that other Brazilian film I referenced. This is definitely worth seeing—not just for entertainment, but to gain insight into how life unfolds in unexpected ways. So I think it's worth a watch. _7/10_
On September 28, 2026
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