The story begins among picturesque Italian scenery, introducing the Perlman family. The father, portrayed by Michael Stuhlbarg, has brought American Oliver, played by Armie Hammer, to assist with some research. This involves Oliver living with the family—his wife Annella (Amira Casar) and teenage son Elio (Timothée Chalamet)—at their villa. Initially, they simply refer to him as "later," a phrase he frequently uses when departing, but over time, they become drawn to this man whose apparent depths contrast with his seemingly amiable yet reserved demeanor. It's the young Elio who seems most captivated. Though only seventeen, he possesses a maturity that feels beyond his years and utilizes his considerable linguistic abilities to connect with their guest. While he’s playfully pursuing his childhood friend Marzia (Esther Garrel), it becomes evident that his connection with Oliver is moving past simple infatuation and entering unfamiliar territory for both men—and their observant parents. With sunshine, wine, and the allure of swimming, director Luca Guadagnino presents a beautifully made story that transcends a typical rite of passage or coming-of-age drama; it’s a love story that I experienced as simultaneously joyful and optimistic, yet ultimately, somewhat harsh. The seemingly self-assured Elio has grown up in a warm and affectionate family setting, so this emotional exposure he now confronts feels both thrilling and frightening, and Chalamet truly conveys that vulnerability—and playfulness—with the skill of someone far more seasoned, while Hammer’s performance left me uncertain. Is he merely toying with the young man, or does he genuinely care? Is it simply a way to occupy his time during his visit, or is there something deeper? The settings are stunning, and the combination of a restrained script from James Ivory alongside thoughtfully chosen musical themes spanning Bach to Giorgio Moroder creates an atmosphere that's both comfortably secure and intensely passionate. This film appears to improve with repeated viewings, and for just over two hours, we’re absorbed in something remarkably authentic.

Source on TMDB